I’ve been aware of BristolCon for some years; the word-of-mouth that it’s a small, happy, friendly convention having reached even the Atlantic shores of Munster. Having been unable to attend Belfast’s TitanCon earlier this year, a slot in my annual con-going roster had opened up and I was able to break my BristolCon duck as a result. I’m very glad I did.
It’s nominally a one-day event but a BristolCon Fringe open mic the evening before pleasantly extended the con vibe, even if attendees at that were a little sparse because the local Waterstones had arranged a competing event, offering free beer. Nevertheless, I was able to read the scene from A Coarse and Violent Gesture, in which the King of the Fairies gets an unwelcome visit from the local paramilitary commander. It’s one of the stories in my Irish Tales collection, due out next year and seemed to go down well.
One of the best things about BristolCon happened well in advance of the event itself. A great long list of possible panel topics was sent to attendees, who then voted on the ones they wanted to see at the con. Whoever came up with this, deserves a medal. It’s become the norm in recent years, for cons to solicit volunteers for panellists on-line, which has too often resulted in platforms being given to the worst kinds of egregious self-publicists, axe-grinders and authoritarian bigots. Who has made it to the end of an EasterCon in recent years, for example, without wanting to slash their own wrists, having been assailed from all directions by three-and-a-half days of relentless, po-faced negativity? Giving the members this sort of control over the panel topics is a great way to mitigate the worst excesses of this trend and to celebrate instead the very many positive aspects of our hobby.
The things I enjoyed most about my first BristolCon were the following:-
- Some actual second-hand books in the dealers’ room (yay!);
- The brick-out room – a throwback to the old ‘fan room’ which used to be a staple of every con but which has sadly fallen by the wayside in recent years. This one had lego and free coffee. How about adding an MC next year, to orchestrate impromptu stuff?
- The free book swap table – every con should have one;
- Making some great new acquaintances. This is one of the best reasons to move outside of your regular fandom orbits and go to a new place;
- The wild west panel, which covered loads of ground but still managed to leave a lot uncovered – ample evidence of the richness of the topic – thereby engendering much discussion in the bar later. I can feel a blog post coming on to recap some of this, plus to air some of the angles the panel didn’t have time to cover. On thing I was mulling over was whether there was any (near) contemporary wild west writing containing fantasy, horror or SF elements. The opening yarn in Arthur Machen’s The Three Impostors (1895) came to mind and also some Verne, notably The Mysterious Island (1874), which opens with an American Civil War balloon-hijack prison break and The Golden Volcano (1905), set during the Klondike gold rush.
Did BristolCon live up to its friendly brand image? Most certainly. Would I recommend it to anyone else? Absolutely. Will I go again? Definitely; indeed next year. Apart from anything else it was significantly cheaper for me than attending Octocon, due in no small part to the cost of accommodation in Bristol being around 50% of that for a comparable room in Dublin.
Returning to the wild west theme, here’s a quiz question for you: which SF writer, whom I have previously featured in my blog posts, died from wounds received during the American Civil War?